The co-founders of the popular Que Bajo?! parties in NYC (now in year five), aka Uproot Andy and Geko Jones, took a big step earlier this year in furthering the tropical bass world domination agenda: they launched Que Bajo?! as a digital record label.
The mixtape Andy put out, Worldwide Ting, quickly reached over 80,000 plays around the world, and the follow-up’s also helping to spread the sound. Indeed, it was Andy and Geko’s intention from the get-go to “share the sound of the party with a global audience,” and it seems the mixtapes have accomplished what Andy set out for them to do: expose more people to the tropical bass/global bass sounds for which he and Que Bajo?! are known.
Andy’s not the only one who’s released new sounds. Geko Jones does his own thing when it comes to these infectious Latin rhythms and non-stop digital beats. His most recent project, a collaboration with fellow DJ and producer Atropolis, releasing this compilation earlier this year as well:
The Dutty Artz members made this compilation as an exploration of Afro-Colombian roots music for the next (digital) generation. As Geko Jones told MTV Hive: “The traditions hidden in this mix are something that future generations can understand and learn from and serves as a lesson that in this age of new latest go-go-go culture, we still have a lot we can learn from those that came before us.”
Both Andy and Geko have kept busy with all things Que Bajo?! through the last several months. In September, Andy (originally from Toronto) included a nod to one Canadian cultural fixture in his “favourite worldwide tingz” post for VICE’s new(ish) Thump site: Montreal bagels beat out those from his current home base, NYC.
One of our favourite confluences happens in Uproot Andy’s Worldwide Ting Vol. II: Andy remixes Siba. He describes it here:
“I first heard Siba with his previous group Mestre Ambrosio and he always brings a creative and progressive approach to the traditional music of Northeastern Brazil. With this remix, I put Siba’s Ciranda tune in a downtempo house framework and tried to bring out the horn melodies in the synths and just let it breathe.”